Drawing Marilyn Monroe in a Circle
In that location are and then many different techniques of various artists out there. I am not going into every detail as most on this site accept at least a basic noesis of drawing.
Materials that I apply
Sketch book - I chose a pad of recycled paper and of thicker quality so that I tin can use a darker lead and eraser. Information technology's important to depict on thicker paper if you lot want to create a cartoon with good detail. Thinner paper is less expensive even so drawing with detail requires multiple levels of shading and erasing. Shading excessively on thin paper might put a hole in it.
Pencils – I've read so many unlike tutorials with all the different types of pencils. That's all fine and great, merely if I had to mess with a handful of unlike pencils for one drawing, I wouldn't draw much! I use 2 pencils and that is it! The i I apply the most is a elementary mechanical pencil. It uses a lead thickness of "0.v." All you have to do is keep the chamber full or replacement leads. It has an eraser on the end, but I never utilise that kind of eraser, which I will explain presently. The 2nd pencil is for when I need a darker shadow, all black clothing, or pilus. It's an ebony pencil and leaves a nice nighttime pencil marking. The simply trouble using an ebony pencil is that it doesn't blend as easy as my mechanical pencil lead.
Erasers – The eraser is equally as of import equally the pencil you employ. If you have the kind of eraser that is commonly on the terminate of a pencil, THROW IT Away! Those kind crumble, leaving stains on your newspaper and make a mess of the cartoon! The only eraser to use as far as I am concerned is a gummy or like type eraser. The one I use is black in color and the texture is exactly like a wad of used chewing gum. It's flexible and moldable. I apply that kind because you tin mold a point to erase in detail and it doesn't leave a residue on the paper. Yous can apply it over and over again and it's been a life saver for my drawings.
Ruler – I employ a ruler to mensurate locations of things like eyes, mouth and other features. A brusk ruler that is made out of articulate plastic is best.
Blending tools – You can't beat a tortillion for shading. It's a tightly wrapped paper tool that resembles a pencil. Information technology even has a betoken on at to the lowest degree one stop. Sometimes it will have points on both ends. There are various different sizes, become a good assortment of them. The smaller ones are good for details on the eyes and smaller features and the larger ones are good for larger areas that don't the same attention to item. Some other great tool for shading is to use a chamois material.
Calculator – I e'er prepare my estimator right behind my cartoon stand up. I bring up the reference photograph on screen and so I can blow it upward. If I accept trouble seeing small-scale particular I can blow the smaller areas up life-size!
Where to begin
Once you have all of your materials ready, brainstorm with a expert quality photo copy. I usually scan the photo so I tin can have several copies of the reference photo. The reason I might want more than one copy, is considering I volition fold the moving picture assuasive me to see certain parts of detail. Information technology too allows me to fold up the picture and hold it right on summit of my drawing to compare back and forth.
I apply a drawing tri-pod stand. I do this because it allows the drawing to sit upright and I can run into the details meliorate than laying flat on a table. I can also slide the stand right upward nigh in my lap. I tin fifty-fifty adjust the legs up and down making information technology easier on my artillery. I sit in practiced lighting so I don't have to strain my eyes and plough on some good music for the mood. I commonly mind to something similar "Audio Scapes" on cable. Information technology's soothing allowing me to draw for hours at a time. Don't forget to become a HUGE glass of water ice water and sit it on the table side by side to your drawing materials where you can easily achieve it.
Step one
I completely outline the drawing before anything else. There are many unlike methods to accomplish this job. If I'm making the drawing bigger than the reference photo I will use a grid. If it's the same size as in this drawing, I costless hand what I can and use a ruler to brand sure the eyes and mouth and other disquisitional areas are correct. I draw the outline lightly, merely make sure I can see the lines for afterward on. The places I like to brand certain, are things similar "distance between the eyes, location and size of the mouth and nose." If you desire, get ahead and lay the reference photo right on pinnacle of the cartoon and compare back and forth. Make the changes now that need to exist made. This will make the rest of the drawing much easier.
Step 2
Once you have the cartoon outlined, pick a identify to begin shading or adding value to your drawing. When I am drawing something like this, I know I will be spending a lot of time blending, shadowing and erasing. I always start at the top left corner, because I am right handed. If I were left handed I would offset on the right upper corner. While I am shading the drawing, I lay my manus downwardly on the newspaper. If I didn't do it the way I mentioned, I might smudge or smear my handy work. The other thing to exercise is have a blank piece of paper under your hand. This helps with the mess as well.
Step 3
Ane of the many secrets of my artwork is to understand the difference betwixt "low-cal and dark" values! Another one is to acquire how to increase the darker value slowly! I use a mechanical pencil most of the time and the lead is sort of sharp on the edge. I say this, considering information technology'southward important not to dig into the paper. I softly shade the darker areas and later come back calculation to those areas creating more than of a contrast in the drawing.
Footstep four
Learning the different values is critical, merely another skill that you demand is to learn how to see different "shapes" on your reference photo. I always look for shapes and sketch them on my drawing paper in the appropriate areas. In the side by side photograph, take a look at Marilyn'due south right cheek (left side of paper) and around the chin and eyelid. I tried copying the shapes onto my drawing. They don't have to be exact, equally you can apply your blending tools to extend them, or an eraser to remove the parts you don't desire. The picture direct under this ane shows how I continued adding more than value.
Step five
This is where the magic begins to happen! You want your portrait to wait sort of three-dimensional and the only mode to do this is by making your shadowing gradual and smooth. You lot volition too demand to eliminate the defined edges. If you have a close look, you will not see a definite edge on Marilyn's chin or nose. I create these boundaries past adding and blending the layers of values. I keep the reference photo very close by for comparing, looking to find the areas that need to be darker or lighter. At present is when I pause out my "ebony pencil." I only apply the ebony pencil if I can't get my mechanical to go night enough. You can come across the areas in the next photo where I had to create some really night shadows in her hair. I did this with the ebony pencil.
Pace 6
I briefly begin to blend my lines of value as I go, merely before I spend a lot of time on blending, I make certain I have all of the dark areas shaded. Once information technology get almost of that finished, I round up the rest of the tools that I demand. I keep them all within accomplish at this betoken. The items I am referring to are my pencils, eraser, tortillion and my chamois textile. I think the blending stage is where most portraits will differ. You lot can take perfect proportion and shading, just if you don't smoothen the lines, the cartoon might not look realistic! The tortillion is a great tool when shading a cartoon. Y'all hold it like a pencil and utilise the tip to blend the lines. This takes a great deal of practise, and then be patient. The chamois fabric is groovy for backgrounds of the cartoon besides as making the skin smooth and silky looking.
Step seven
Blending with the tools I mentioned is the real fine art behind making a portrait look realistic. Below, are some photos showing earlier and after the blending tools. You tin can encounter how the drawing begins to come to life.
Finishing upwardly
The remainder of the cartoon is using the in a higher place steps over and over until yous're happy with the results. Retrieve that us artists are not perfect and we volition never get our drawings merely exactly the style we want. There comes a time when you can say, "It'southward finished!" before yous put the drawing away, make sure and protect information technology from fading and smudging by spraying information technology with a practiced quality clear spray. I utilize hair spray sometimes and information technology seems to practice just equally good of a job. Below is the finished Marilyn Monroe portrait, bask!
Jeff Agans (Jagans)
world wide web.soulreflectionsbyjeff.com
Source: http://www.stars-portraits.com/en/tutorial/marilyn-monroe.html
0 Response to "Drawing Marilyn Monroe in a Circle"
Post a Comment